The Reflection of Ceng on Seljuk Ceramics

Küçük Resim Yok

Tarih

2018

Dergi Başlığı

Dergi ISSN

Cilt Başlığı

Yayıncı

Turk Tarih Kurumu

Erişim Hakkı

info:eu-repo/semantics/closedAccess

Özet

Historical musicology uses every kind of materials which have information on the past as well as manuscript resources. Not only pictures, sculptures, architectural elements which belong to the period investigated, but also ceramics and ceramics decors are included in field of historical musicology. Speaking of destruction of various works and manuscripts of Great Seljuq's, these ceramics have utmost importance. Ceng playing is not common in these days but we can see it in Turkish music history from before Christ periods. This research, based on investigation on museums and collections in all the world, have been detected Seljuq ceramics which have ceng instrument and have been investigated and evaluated this instruments structure, features, playing areas and musicians. As a result of the studies, it has been determined that the ceng was an angular and open type instrument with inlaid boat and different types of tuning pegs in Seljuq period. It has been found that the ceng was extremely popular in the period studied and often performed by women. It has been found that in the entertainment scenes in which the monarch was also present, it was played alone or with other instruments such as oud, tef, mostly by women.

Açıklama

Anahtar Kelimeler

Ceng, Seljuq Music, Seljuq Ceramics, Historical Musicology

Kaynak

Belleten

WoS Q Değeri

N/A

Scopus Q Değeri

Cilt

82

Sayı

293

Künye