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    A Study in the Context Of Hz. Ali's Cenkname (About Destan-i Ejderha and Some Motifs)
    (MILLI FOLKLOR DERGISI, 2016) Aslan, Namik
    In this study, we focused on how the former Turkish ozans carried their epic cultures to the Anatolia by accepting the Islam and helped to increase the density of the Islamic and Turkish characteristics of the Anatolia. We evaluated the transformation of epic temin alp type into the alp-eren type by considering the personality of Hz. Ali. The emergence of the sypathy by supporting with studies of the other researchers in the context of the created "Cenkname" kult belonging to Hz. Ali in Turkish is also mentioned in this paper by referencing studies of the other researchers. This religion based literay form created in the 13th, 14th and 15th centuries in Anatoliais tried to be evaluated by especially considering "Dragon Epic" and a edition-criticized text is generated by utilizing the previously published studies of the mentioned epic. The text in our private library is compared with the text published by the A. Guzel and M. Tatci and then the differences between texts are given in the footnotes. Some evaluations about becoming West Oghuz Dialect asa major literature language in Anatoliawith the important role played by the unique artists are given by using the studies carried out on this area. The characters summarized by the episotes of the tale are presented and a short intoductory part about the copies of the mentioned text is also given. The motifs about the "dragon, apple, ox and fish" are interpreted, and how the mythological imaginations belonging to the Far East and Asia are islamized and lived are illustrated.
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    About the Meaning of the Motif Term and the Wolf Motif in Turkish Origin Myths
    (MILLI FOLKLOR DERGISI, 2010) Aslan, Namik
    In the line with the limitation of the title, in the paper where Thomson's description about the term of motif is substantially investigated, the evaluations about the creation of wolf motif in Turkish belief and epics are examined. It is asserted in this paper that the wolf is not a tos, ongon or totem together with the explanations. It is claimed that the terms of "Ongon" and "tos" are related to Turkish death cult, moreover in the context of reproduction in ongons, the idea that ongons are not ancestor animals is subjected. As the main hypothesis of the paper, the assertion that Grey wolf is holy because of being a creature in the manner of God in the Turkish myths and epics is tried to be proved. It is pointed that this case is related to the philosophy of oneness of existence in Islamic mysticism more than being a belief of penetration in ancient Turks. In the paper which focuses on God as the holy presence taking care of Turkish life and future, the basic acceptance of Turkish myths is pointed as the necessity of divine order in different eras. It is emphasized that the ideas of calling Atilla as God's whip, Bilge Kagan with the belief of managing the human beings and Ottoman sultans characterizing themselves as God's silhouette in the world are arisen from the same origin.
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    On the motif of metamorphosis as featured in some Turkish narratives
    (2005) Aslan, Namik
    Though motifs, which are the fundamentals of popular narratives, in general have universal nature, the ways and the reasons they appear are indeed of national nature. For the motif to make sense culturally, it must be widely disseminated in all narratives of the culture, must have subordinated motifs initiated by itself and finally must be associated with the norms and values of the culture. The dominating cultures either create their own motifs or modify others' motifs by totally adapting them to their own norms and values. From this point of view, the course and the instances of the motif of metamorphosis in Turkish narrations are evaluated in this work.